Embroidery Sarees Biography
Source:- Google.com.pk
Various types of Embroidery patterns are employed according to the Lehenga Style saree. Bagh, Chikan, Kashida, Kasuti, Kantha, Sozni, Shisha, Zardozi etc. are some of the commonly practiced Embroidery in Lehenga Style Saree. Bagh is a special kind of Embroidery done by women in Punjab to be worn during festivals and weddings. Bagh embroidery completely hides the base fabric and is a very heavy kind of embroidery. This Embroidery on Lehenga Style Saree is exquisite as often the cloth is barely visible and only the beautiful embroidery is visible. Kashida is a Kashmiri Embroidery type. This is very colorful and depicts Kashmir in its patterns. The other famous embroidery on Lehenga sarees are Kantha work and Kasuti work of Bangalore.
Various rich and exquisite embellishments are used on Lehenga Style sarees patterns which include Silver embroidery, Golden embroidery, Metal beads, Real pearls, wood beads, glass beads, mirror work, lace work, Kundan, sequins, glittering stones, zardozi etc. Mostly rich fabrics like silk, georgette, brasso, brocade, chiffon, crepe etc. are used in the making of a Lehenga style saree. In India, Sabyasachi Mukherjee is known for his Lehenga Style Saree. Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the nivi style of draping.
In past times, saris were woven of silk or cotton. The rich could afford finely woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money. Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work.Sometimes the saris were further decorated, after weaving, with various sorts of embroidery. Resham work is embroidery done with coloured silk thread. Zardozi embroidery uses gold and silver thread, and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals.
In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back. The punchra work is imitated with inexpensive machine-made tassel trim.
Various rich and exquisite embellishments are used on Lehenga Style sarees patterns which include Silver embroidery, Golden embroidery, Metal beads, Real pearls, wood beads, glass beads, mirror work, lace work, Kundan, sequins, glittering stones, zardozi etc. Mostly rich fabrics like silk, georgette, brasso, brocade, chiffon, crepe etc. are used in the making of a Lehenga style saree. In India, Sabyasachi Mukherjee is known for his Lehenga Style Saree. Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the nivi style of draping.
In past times, saris were woven of silk or cotton. The rich could afford finely woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money. Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work.Sometimes the saris were further decorated, after weaving, with various sorts of embroidery. Resham work is embroidery done with coloured silk thread. Zardozi embroidery uses gold and silver thread, and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals.
In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back. The punchra work is imitated with inexpensive machine-made tassel trim.
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