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Sunday, 22 February 2015

Rajasthani Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos

Rajasthani Sarees Biography

Source:- Google.com.pk

Rajasthan is the largest state of the country India. The state is well known for its historic monuments and culture, not to forget traditional, colorful art. Block prints, tie and dye prints, bagaru prints, sanganer prints etc represent the ethnicity of the state. Rajasthani clothes have a lot of mirror-work and embroidery. A rajasthani traditional dress for females do include an ankle-length skirt as well as top that is called chaniya choli.

The women dress in either sarees or ghaghra cholis. Sarees may be either cotton or silk and are generally embroidered. Colored stones, tinsels and silken threads are used to create beautiful floral patterns and traditional motifs and enhance the rich look of the saree. Depending on the economic ampleness of the family the embroidery or zari work may be done with golden and silver threads and semi precious gems may replace the showy colored stones. Tie and Dye, Bandhani and block printed textiles are the common choice.

However in the rural nooks of the state the women are still given to wearing long or short flowing and frilly skirts. Ghagras for daily use and Lehengas for more formal occasions are the norm. These are matched with blouses such as Kanchli or Kunchuki or Choli depending on the blouse length. The skirts are tied tightly around the waist and have a flaring width at their base. The Ghagras are generally short extending up to the calf while the Lehengas are longer and reach up to the ankles. The more formal occasions and prosperous households dictate increased width and more number of folds or pleats in the skirts. These Ghagras and Lehengas are also embroidered and decorated much in the same style as sarees are.

The Odhni is an integral part of the Rajasthani women's attire and deserves special mention. It is generally a long piece of cloth (generally 3 meters by 2 meters). Though usually teamed up with the Ghagra Choli or Lehengas, it is also worn over a saree on special ceremonious occasions. One end of it is tucked into the skirt or saree at the waist. It is draped gracefully across like a saree and taken to cover the head in a short veil. Odhni stands as a mark of respect and conformity to one’s traditions and the bridal Odhni is a piece of exquisitely hand embroidered attire treasured by every woman as long as she lives and used sparingly. The Muslim women of the state wear burkhas or traditional black veils.The traditional footwear of Rajasthani women deserves special mention. The female folk from affluent families wear specially embroidered and sequined slippers or chappals called jootis or mojaris. The use of golden thread, beads and spangles in these patterned footwear make them showy souvenirs. These are generally made of sheep, camel or goat hide and the designs are created on the velvet casing attached to the leather. These are soft and extremely comfortable to use. Jaisalmer, Jodhpur, Ramjipura and Jobre are world famous for their intricately and finely designed Jootis.

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Sarees India Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos

Sarees India Biography

Source:- Google.com.pk

Indian Sarees are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the nivi style of draping.
In past times, saris were woven of silk or cotton. The rich could afford finely woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money.
Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work.

More expensive sarees had elaborate geometric, floral, or figurative ornaments or brocades created on the loom, as part of the fabric. Sometimes warp and weft threads were tie-dyed and then woven, creating ikat patterns. Sometimes threads of different colours were woven into the base fabric in patterns; an ornamented border, an elaborate pallu, and often, small repeated accents in the cloth itself. These accents are called buttis or bhuttis For fancy saris, these patterns could be woven with gold or silver thread, which is called zari work.Sometimes the saris were further decorated, after weaving, with various sorts of embroidery. Resham work is embroidery done with coloured silk thread. Zardozi embroidery uses gold and silver thread, and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals.
In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back. The punchra work is imitated with inexpensive machine-made tassel trim.

Hand-woven, hand-decorated saris are naturally much more expensive than the machine imitations. While the overall market for hand weaving has plummeted leading to much distress among Indian hand weavers hand-woven saris are still popular for weddings and other grand social occasions. the female politicians of India wear the sari in a professional manner. The women of Nehru–Gandhi family like Indira Gandhi and Sonia Gandhi wear the special blouse for the campaign trail which is longer than usually and is tucked in to prevent any midriff show while waving to the crowds. The sari is usually worn over a petticoatin.The blouse has short sleeves and is usually cropped at the midriff. The sari is associated with grace and is widely regarded as a symbol of Indian, Pakistani, Nepalese, Bangladeshi and Sri Lankan culture.

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Party Sarees Biography

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The popularity of designer made Indian sarees have crossed the boundaries and continents and have occupied the hearts of women wearers in world have begun liking to people from different cultures and traditions.entirely upon your liking and the kind of party for which you want them. Over the years Emily William has provided latest Designer Sarees Collection information with Indian bridal Punjabi Salwar Kameez and wedding wears.The sa ri is usually worn over a petticoat called 'parkar' or lehenga in the north pavadai in Tamil, pavadai in Malayalam, Kannada and Telugu, chaniyo, parkar, ghaghra, or ghagaro in the west, and shaya in eastern India, with a fitted upper garment commonly called a blouse ravika in the south and choli elsewhere. The blouse has short sleeves and is usually cropped at the midriff. The chiffon sari did what years of fashion styles of draping and indigenizing the sari. In most of the courts the sari was embellished with stitching hand-woven borders in goldfrom Varanasi, delicate zardozi work, gota, makaish and tilla work that embellished the plain fabric, sumiltaneously satisfying both traditional demands and ingrained love for ornamentation. Some of them were so rich that the entire ground was embroidered over with pearls and zardozi.

Designer Saree is the most popular conventional Native Indian outfit not only in Native Indian but across the world given its large adaptability and wonderful charm. The adaptability of this wonderful attire is such that it can fit any celebration and can be covered in any style to match the individuality and flavor of the person wearing them. Moreover, it is such wonderful outfit which can make woman of any size and any body look wonderful and stylish. Designer sarees are the perfect example of a successful wedding of custom with modernism.Designed by the best and well-known designers, these designer sarees not only look cultural and traditional but fashionable and stylish as well. These newest designer saree styles can boost the great thing about a lady to grab the attention of any viewer. These sarees are imaginatively made by preparing different materials, type of work and adornments to bring out the best features in ladies elegance.An elegant designer sarees are the best design declaration for any celebration.

Georgette and chiffon sarees with summary and geometric styles are the newest variety in designer sarees. These sarees with charming metal and cultural styles not only look excellent and wonderful but are ideal for informal and partial informal events. Sarees with diamonds, gems, adornments and other elaborations also look amazing. Thus, many contemporary wedding brides to be are looking for heavily-worked georgette sarees for their marriage ceremony. Since marriage is a celebration that comes once in a life-time, every young lady wants to look her very best on her marriage day. There is no better choice than dressed in a designer saree on this celebration. These designer wedding sarees are created to add elegance and magnificence to bride individuality.According to Ritu Beri “Designing clothes for the Indian contingent is a great honor and a big challenge”.Indian Fashion is cheerful,evergreen and lively having the simplicity.

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Embroidered Sarees Biography

Source:- Google.com.pk

Various types of Embroidery patterns are employed according to the Lehenga Style saree. Bagh, Chikan, Kashida, Kasuti, Kantha, Sozni, Shisha, Zardozi etc. are some of the commonly practiced Embroidery in Lehenga Style Saree. Bagh is a special kind of Embroidery done by women in Punjab to be worn during festivals and weddings. Bagh embroidery completely hides the base fabric and is a very heavy kind of embroidery. This Embroidery on Lehenga Style Saree is exquisite as often the cloth is barely visible and only the beautiful embroidery is visible. Kashida is a Kashmiri Embroidery type. This is very colorful and depicts Kashmir in its patterns. The other famous embroidery on Lehenga sarees are Kantha work and Kasuti work of Bangalore.

Various rich and exquisite embellishments are used on Lehenga Style sarees patterns which include Silver embroidery, Golden embroidery, Metal beads, Real pearls, wood beads, glass beads, mirror work, lace work, Kundan, sequins, glittering stones, zardozi etc. Mostly rich fabrics like silk, georgette, brasso, brocade, chiffon, crepe etc. are used in the making of a Lehenga style saree. In India, Sabyasachi Mukherjee is known for his Lehenga Style Saree. Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the nivi style of draping.

In past times, saris were woven of silk or cotton. The rich could afford finely woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money. Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work.Sometimes the saris were further decorated, after weaving, with various sorts of embroidery. Resham work is embroidery done with coloured silk thread. Zardozi embroidery uses gold and silver thread, and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals.

In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back. The punchra work is imitated with inexpensive machine-made tassel trim.

Embroidered Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos

Kareena Kapoor In Saree Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos

Kareena Kapoor In Saree Biography

Source:- Google.com.pk

The word saree is derived from Sanskrit which means strip of cloth. In the history of Indian clothing the sari is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BC around the western part of the Indian subcontinent. The earliest known depiction of the sari in the Indian subcontinent is the statue of an Indus Valley priest wearing a drape. Sculptures from the Gandhara, Mathura and Gupta schools (1st–6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown. It is generally accepted that wrapped sari-like garments for lower body and sometimes shawls or scarf like garment called 'uttariya' for upper body, have been worn by Indian women for a long time, and that they have been worn in their current form for hundreds of years. In ancient couture the lower garment was called 'nivi' or 'nivi bandha', while the upper body was mostly left bare. The tightly fitted, short blouse worn under a sari is a choli. Choli evolved as a form of clothing in the 10th century AD, and the first cholis were only front covering; the back was always bare but covered with end of saris pallu. Bodices of this type are still common in the state of Rajasthan.

Similar styles of the saree are recorded paintings by Raja Ravi Varma in Kerala. By the mid 19th century, though, bare breasted styles of the sari faced social revaluation and led to the Upper cloth controversy in the princely state of Travancore (now part of the state of Kerala) and the styles declined rapidly within the next half a century. Red wedding saris are the traditional garment choice for brides in Indian culture. Sari fabric is also traditionally silk. Over time, colour options and fabric choices for Indian brides have expanded. Today fabrics like crepe, Georgette, charmeuse, and satin are used, and colors have been expanded to include gold, pink, orange, maroon, brown, and yellow as well. Indian brides in Western countries often wear the sari at the wedding ceremony and change into traditional Indian wear afterwards (lehnga, choli, etc.). Some images of maharanis in the Deccan show the women wearing a sleeveless, richly embellished waistcoat over their blouses. The Begum of Savanur remembers how sumptuous the chiffon sari became at their gatherings. At some courts it was worn with jaali, or net kurtas and embossed silk waist length sadris or jackets. Some of them were so rich that the entire ground was embroidered over with pearls and zardozi. An air hostess style sari is tied in just the same way as a normal sari except that the pleats are held together quite nicely with the help of pins. A bordered sari will be just perfect for an Air-Hostess style drape where the pallu is heavily pleated and pinned on the shoulder. Even the vertical pleats that are tucked at the navel are severely pleated and pressed. Same goes for the pallu pleats that are pinned at the shoulder.

In Pakistan, the saree's are still popular and worn on special occasions. Sarees can be seen worn commonly in metropolitan cities such as Karachi and Islamabad and are worn regularly to weddings and other business type of functions. Sari's are also worn by many muslim women in Sindh to show their status or to enhance their beauty. Pakistani muslim women who are models are sent often to other neighbouring countries like India fashion industries to wear the Sari on the catwalk or runway.

The Saree Industry demands a fair skin colored women whereby the Pakistani muslim women always have had a fair skin tone. The Sindhi Muslim and Pakistani Muslims are known for their outstanding performances to where sari's in high Islamic or Hindu funktions. Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the nivi style of draping.

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