Manish Malhotra Sarees Biography
Source:- Google.com.pk
Manish Malhotra is one of India's most successful fashion designers. Malhotra has designed for many leading actresses in Bollywood. He is known in the Indian film industry for his different style and his ability to envision a 'look' for the character. He is known for designing the costumes for Urmila Matondkar in the film Rangeela. Stars including Madhuri Dixit, Sridevi, Kajol, Karisma Kapoor, Juhi Chawla, Kareena Kapoor, Rani Mukherji, Aishwarya Rai Bachchan, Priyanka Chopra, Katrina Kaif, Sonam Kapoor, Deepika Padukone, Sonakshi Sinha, Preity Zinta and Parineeti Chopra have worn his designs. Although he usually designs for women, he designed for Shahrukh Khan in Mohabbatein and Imran Khan in I Hate Luv Storys. He was also asked to design clothes for Michael Jackson when he visited India for a Bollywood show.
The traditional Kandyan (osaria) style consists of a full blouse which covers the midriff completely and is partially tucked in at the front as is seen in this 19th-century portrait. However, modern intermingling of styles has led to most wearers baring the midriff. The final tail of the sari is neatly pleated rather than free-flowing. This is rather similar to the pleated rosette used in the Dravidian style noted earlier in the article.While the sari is typical to Indian traditional wear, clothing worn by South-East Asian countries like Burma, Malaysia, Philippines, and Singapore resemble it, where a long rectangular piece of cloth is draped around the body. These are different from the sari as they are wrapped around the lower-half of body as a skirt, worn with a shirt/blouse, resembling a sarong, as seen in the Burmese Longyi, Filipino Malong, Tapis, Laotian Xout lao, Thai Sinh's, and Timorese Tais. Saris, worn predominantly in India, Pakistan, Sri Lanka, Bangladesh, and Nepal are usually draped with one end of the cloth fastened around the waist, and the other end placed over the shoulder baring the midriff.Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the nivi style of draping.
In past times, saris were woven of silk or cotton. The rich could afford finely woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money.
Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work. More expensive saris had elaborate geometric, floral, or figurative ornaments or brocades created on the loom, as part of the fabric. Sometimes warp and weft threads were tie-dyed and then woven, creating ikat patterns. Sometimes threads of different colours were woven into the base fabric in patterns; an ornamented border, an elaborate pallu, and often, small repeated accents in the cloth itself. These accents are called buttis or bhuttis. For fancy saris, these patterns could be woven with gold or silver thread, which is called zari work. In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back. The punchra work is imitated with inexpensive machine-made tassel trim.
Hand-woven, hand-decorated saris are naturally much more expensive than the machine imitations. While the overall market for handweaving has plummeted (leading to much distress among Indian handweavers), hand-woven saris are still popular for weddings and other grand social occasions.
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The traditional Kandyan (osaria) style consists of a full blouse which covers the midriff completely and is partially tucked in at the front as is seen in this 19th-century portrait. However, modern intermingling of styles has led to most wearers baring the midriff. The final tail of the sari is neatly pleated rather than free-flowing. This is rather similar to the pleated rosette used in the Dravidian style noted earlier in the article.While the sari is typical to Indian traditional wear, clothing worn by South-East Asian countries like Burma, Malaysia, Philippines, and Singapore resemble it, where a long rectangular piece of cloth is draped around the body. These are different from the sari as they are wrapped around the lower-half of body as a skirt, worn with a shirt/blouse, resembling a sarong, as seen in the Burmese Longyi, Filipino Malong, Tapis, Laotian Xout lao, Thai Sinh's, and Timorese Tais. Saris, worn predominantly in India, Pakistan, Sri Lanka, Bangladesh, and Nepal are usually draped with one end of the cloth fastened around the waist, and the other end placed over the shoulder baring the midriff.Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the nivi style of draping.
In past times, saris were woven of silk or cotton. The rich could afford finely woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money.
Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work. More expensive saris had elaborate geometric, floral, or figurative ornaments or brocades created on the loom, as part of the fabric. Sometimes warp and weft threads were tie-dyed and then woven, creating ikat patterns. Sometimes threads of different colours were woven into the base fabric in patterns; an ornamented border, an elaborate pallu, and often, small repeated accents in the cloth itself. These accents are called buttis or bhuttis. For fancy saris, these patterns could be woven with gold or silver thread, which is called zari work. In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back. The punchra work is imitated with inexpensive machine-made tassel trim.
Hand-woven, hand-decorated saris are naturally much more expensive than the machine imitations. While the overall market for handweaving has plummeted (leading to much distress among Indian handweavers), hand-woven saris are still popular for weddings and other grand social occasions.
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
Manish Malhotra Sarees Silk Sarees Collection For Wedding Online Shopping Blouse Designs with Price Designs in chennai for Engagement Blouse Back Designs Photos
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